AUTHOR |
TITLE |
| Allsopp, D., and C. Gaylorde |
Heritage Biocare CD |
| Balfour-Paul, Jenny |
Indigo |
| Berger, Gustav A., with William H. Russell |
Conservation of Paintings |
| Berrie, B |
Artists' Pigments vol 4 |
| Brajer, Isabelle |
Transfer of Wallpaintings:
Based on Danish Experience |
| Bregnhøi, Line, et al. |
Paint Research in Building Conservation |
| Brooks, Mary |
Textiles Revealed |
| Caitling, Dorothy, and John Grayson |
Identification of Vegetable Fibres |
| Cameron, Esther |
Leather and Fur |
| Cardon, D |
Natural Dyes |
| Carlyle, Leslie |
The Artist's Assistant |
| Child, R.E. |
Conservation of Geological Collections |
| Clarke, Mark |
The Art of All Colours:
Mediaeval Recipe Books for Painters and Illuminators |
| Davies, Val |
State Beds and Throne Canopies: Care and Conservation |
| Drayman-Weisser, Terry |
Gilded Metals:
History Technology and Conservation |
| Drewett, Peter L. |
Prehistoric Settlements in the Caribbean |
Eikema Hommes, Margriet van |
Changing Pictures
Discoloration in 15th to 17th Century Oil Paintings |
| Florian, Mary-Lou E. |
Fungal Facts:
Solving Fungal Problems in Heritage Collections |
| Gilmour, Lauren |
In the Saddle
An Exploration of the Saddle Through History
|
| Goodburn-Brown, Dana, and Julie Jones |
Look After the Pennies |
| Griffiths, Nick, and Anne Jenner with Christine Wilson |
Drawing Archaeological Finds |
| Harley, R.D. |
Artists' Pigments: c. 1600-1836 |
| Hatchfield, Pamela B. |
Pollutants in the Museum Environment |
| Hather, Jon G. |
Archaeological Parenchyma |
| Hather, Jon G. |
Identification of Northern European Woods |
| Hermens, Erma |
Looking Through Paintings |
| Herrmann Jr., John, Norman Herz, and Richard Newman |
ASMOSIA 5
Interdisciplinary Studies of Ancient Stone |
| Heuman, Jackie (editor) |
From Marble to Chocolate: Conservation of Modern Sculpture |
| Hillson, Smith |
Mammal Bones and Teeth |
| Hofenk de Graaff, Judith H. |
Colourful Past |
| Horie, Velson |
Conservation of Decorative Arts |
| Howard, Helen |
Pigments of English Medieval Wall Painting |
| Jett, Paul, John Winter, Janet Douglas, Blythe McCarthy (editors) |
Scientific Research in the Field of Asian Art
|
| Jett, Paul, et al. (editors) |
Scientific Research on the Pictorial Arts of Asia |
| Kirby, Jo |
Dyes in History and Archaeology 16/17 |
| Kirby, Jo |
Dyes in History and Archaeology 18 |
| Kirby, Jo |
Dyes in History and Archaeology 19 |
| Kirby, Jo |
Dyes in History and Archaeology 20 |
| Kress Foundation |
Studying and Conserving Paintings |
| Kosek, Joanna M. |
Conservation Mounting |
| Larsen, Rene |
Microanalysis of Parchment |
| Leach, Peter E. |
Surveying of Archaeological Sites |
| Loveday, Helen |
Islamic Paper |
| McManus, Paulette M. |
Archaeological Displays and the Public |
| Mactaggart, Peter and Ann |
Practical Gilding |
| Maniatis, Yannis, Norman Herz, Yannis Basiakos |
Study of Marble and Other Stones Used in Antiquity |
| Marko, Ksynia |
Textiles in Trust |
| Merriman, Nick |
Beyond the Glass Case |
| Nadolny, Jilleen, et al. |
Medieval Painting of Northern Europe |
| Oakley,Victoria, & Kamal K. Jain |
Essentials in the Care and Conservation
of Historical Ceramic Objects |
| Odegaard, Nancy, Scott Carroll and Werner Zimmt |
Material Characterization Tests for Objects of Art and Archaeology |
| Odegaard, Nancy, Scott Carroll and Werner Zimmt |
Material Characterization Tests for Objects of Art and Archaeology -- 2nd ed |
| O'Keefe, Patrick J. |
Trade in Antiquities |
| Pinniger, David |
Pest Management in Museums, Archives and Historical Houses |
| Plahter, U., E. Hohler, N. Morgan and A. Wichstrom |
Painted Altar Frontals of Norway, 1250-1350, Vols. 1-3 |
| Price, Clifford |
Expert Chemical Model for Determining the Environmental Conditions to Prevent Salt Damage in Porous Materials |
| Pike, Scott, and Seymour Gitin |
Practical Impact of Science on Near Eastern and Aegean Archaeology |
| Rayner, Judith, Joanna M. Kosek, and Birthe Christensen |
Art on Paper |
| Robinson, Wendy |
First Aid For Underwater Finds |
| Rogerson, Cordelia, and Paul Garside |
The Future of the 20th Century |
| Sands, Rob |
Prehistoric Woodworking |
| Seligmann, Elisabeth, and Susan Stern, eds. |
Partnership Principle |
| Sitwell, Christine, and Sarah Staniforth |
Studies in the History of Painting Restoration |
| Stern, Susan, and Elisabeth Seligmann, eds. |
Desperately Seeking Europe |
| Stratis, Harriet K., and Britt Salvesen |
Broad Spectrum:
Studies in the Materials, Techniques, and
Conservation of Color on Paper |
| Tilley, Christopher |
Dolmens and Passage Graves of Sweden |
| Timar-Balazsy, Agnes, and Dinah Eastop (Editors) |
International Perspectives on Textile Conservation |
| Townsend, Joyce H., Katherine Eremin and Annemie Adriaens |
Conservation Science 2002 |
| Tubb, Kathryn W. |
Antiquities Trade or Betrayed |
| Villers, Caroline |
Fabric of Images |
| Villers, Caroline |
Lining Paintings |
| von Karabacek, Joseph |
Arab Paper |
| Wolbers, Richard |
Cleaning Painted Surfaces |
| Wills, Barbara |
Leather Wet and Dry: Current Treatments in the Conservation of Waterlogged and Desiccated Archaeological Leather |
| Woodcock, Sally (editor) |
Big Pictures:
Problems and Solutions for Treating Outsize Paintings |
| Wright, Margot M. |
Barkcloth: Aspects of Preparation, Use, Deterioration,
Conservation and Display |
| Wright, Margot M. |
Conservation of Fur, Feather and Skin |
| Wright, Margot M. |
Ethnographic Beadwork: Aspects of Manufacture, Use and Conservation |
| Yngvason, Hafthor (editor) |
Conservation and Maintenance of Contemporary Public Art |