Invention of Pastel Paintings
A Handbook of their History and Characteristics, Vol. 4
Thea Burns

ISBN: 9781904982123• $120• Hardcover • 2 lbs

Chalks and pastels are particularly appropriate materials for portraits because they appear effortlessly to convey the warm tones and soft, matte velvety surface of skin. Portraits and head studies therefore figure prominently in histories of pastel. The Invention of Pastel Painting describes the relatively sudden emergence in the later seventeenth century of sets of friable pastel sticks and a new artistic practice of painting in pastel. The author reconsiders the use of natural and fabricated drawing sticks as tools, firmly locating their use in the context of historical function. ‘Artistic techniques have a social history; they are signs endowed with cultural meaning by society.’

The visual, documentary and etymological evidence does not support the concept of a narrative history of pastel gradually progressing from a ‘simple’ original state in the drawings of Leonardo da Vinci, Jean and François Clouet and the Dumonstiers to an increasingly richly coloured and technically complex visual record in the paintings of Robert Nanteuil, Joseph Vivien and Rosalba Carriera, and then continuing to evolve through the nineteenth century.

In considering the history of chalk and pastel, the author argues that the change is aesthetic, not formal, and is grounded in social function and technical response. She has drawn not only on artists’ letters and accounts, documents, critical and theoretical writings, and, broadly, the secondary literature, but also on close visual examination and scientific analysis of selected chalk drawings and paintings in pastel, particularly those created between 1500 and 1750.

Thea Burns is Helen H. Glaser Senior Paper Conservator for Special Collections in the Harvard College Library, Weissman Preservation Center, Harvard University Library, Cambridge, Massachusetts, USA.

Contents

Chapter 1
Distinguishing Between Chalk and Pastel in Drawings, Words, and Texts
Chapter 2
Painting in Pastel: a New Artistic Practice
Chapter 3
Robert Nanteuil and the Prestige of Painting in Pastel
Chapter 4
“New Heights”: Joseph Vivien’s Large-Scale Pastel Portrait Paintings
Chapter 5
Making Up the Face: Technique and Meaning in Carriera’s Painted Pastel Portraits
Chapter 6
Carriera at Work 1: Presenting Painted Pastel Portraits
Chapter 7
Carriera at Work 2: Paper Supports for Pastel Painting
Chapter 8
Carriera at Work 3: The Pastel Painting
Chapter 9
Fixatives and “the precious powder …which falls off as easily as scales from a butterfly’s wings”

Epilogue Pastel in the Nineteenth Century
Appendix 1 Index to Art Making and Related Topics in Carriera’s Correspondence
Appendix 2 Currency, Wages, Measurement
Appendix 3:Conditions of Examination